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The romantic spark between them is a lightning bolt.” – Peter Bradshaw A good-looking boy who likes her is rewarded with a brief relationship, but he is merely John the Baptist to the imminent Christ: Emma, played by Séydoux, a twentysomething art student. At the outset, Exarchopoulos’s Adèle is a shy, smart high-schooler who finds that she is lonely and tentative in her social life.
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When the summer ends, as all summers must, sexual obsession, claustrophobia and despair are elegantly resolved with a clever twist in the narrative tail.” – Peter Bradshaw Even as its mood turns dark, this tone is managed with superb insouciance, helped by a saturnine performance from Paddy Considine. His two young leads, Nathalie Press and Emily Blunt create a delectable, upwardly-mobile soufflé of a film. “Within the Yorkshire Dales’ sunlit expanses, (Pawel Pawlikowski) has created a swooning love story with wit, flair, eroticism and some New Wave attitude.
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This languor fits the tempo of Elio and Oliver’s relationship, which evolves over meals, drowsy idylls, a little work and a spontaneous piano recital that becomes an overture to seduction.” – Manohla Dargis Everyone seems to move in slow motion at the villa, except perhaps the family’s hard-working maid. Guadagnino is very good at catching the indolent drift of long summer days, with their sleepiness and bared limbs.